This beautiful photo is from the Takaragawa Onsen. Enjoying a hot, relaxing soak in the onsen while snow piles up around you is a "must-do" when in Japan. Don't you agree?
The bow has become a ritual rather than a practical instrument in Japanese martial arts training. Introduced to the culture in ancient times, it was different from the European bow from which it was derived. The main difference is the handgrip.
In Japanese classical fighting arts, the handgrip of the bow is placed closer to the bottom of the bow tip rather than halfway in between. This makes the top section of the Japanese bow slightly longer than the bottom for a different type of feel.
Up until the 4th Century, archers were considered infantry and traveled on foot. It wasn't until much later, during the 10th Century, that the bowmen took to horseback and martial arts training in the bow became an elite sport of the samurai.
From 1192 to 1334, the Kamukura Period, archery on horseback was used as a part of the samurai's martial arts training to keep them in shape during peacetime.
Over time, this form of archery went from a form of martial arts training to a highly ritualized Japanese martial art: the art of Yabusame. It was believed that each time the arrow struck its target, the energy of the hit and the courage of the rider would be transferred to the audience, and most of all, the gods.
Yabusame today is a very serious ritual among the Japanese. The classical fighting arts of Japan all have something to do with ritual. In fact, there is not one aspect of Japanese culture not bound to tradition or ritual.
Yabusame takes the Japanese martial art of archery and sets it above all others, even that of the sword. This ritual is so sacred it is frequently performed on special occasions reserved for visiting dignitaries, royalty or presidents. At one time only the most skilled warriors were chosen to be Yabusame archers. This was, and still remains, a great honor.
Yabusame, one of the classical fighting arts, is still recognized in Japan. While only two schools in the country continue to teach Yabusame (Ogasawara and Takeda), there are still many skilled students carrying the tradition.
This Japanese martial art training skill still manages to entertain people during festivals and celebrations throughout the country. Though its use is considered more ritualistic and impractical, it will continue to have an appeal for many decades to come.
Knowing the art of martial arts is an asset for protection. Get more useful information about classical fighting arts from Mike Selvon's portal, and leave a comment at his martial art blog.
Unknown woodblock print from the 19th century
Tamamo-no-Mae, the evil kitsune of Japanese legend. Woodblock print by Yoshitoshi, from New Forms of Thirty-Six Ghosts. (1889-1892))
Ukiyo-e woodblock print by Kitagawa Shikimaro, Japanese Edo era: 1600s-1800s
Woodblock print from the mid-1800's by artist Utagawa Kuniyoshi, original currently located in the Brooklyn Museum
Utagawa Toyokuni's Edo period Ukiyo-e woodblock print
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